![]() ![]() Step directly between live view and captured frames or switch to auto-toggle. Create beautiful animation, one frame at a time. Use the central hub for capturing and organizing your high-resolution frames from your camera. Using the live view of supported Canon and Nikon DSLRs, Dragonframe provides video assist tools for the animato. In addition, draw virtual using a grease pencil. Use the intuitive graphical interface to program advanced camera moves.ĭragonframe is an excellent frame-grabber with tools such as step-to-live, onion skinning, and auto-toggling. In addition, it includes simple front light/backlight programming. Program animated lighting with simple keyframes. Perform dialogue track reading for multiple characters. ![]() CinematographyĬompose and light the perfect shot with camera controls, test shots, and advanced image review tools. Professional on-screen tools for precise movements. Put Dragonframe at the heart of your next stop-motion film. Dragonframe has innovated in the world of stop-motion software by pushing the functionality beyond frame grabbing to provide a full assortment of production tools.īegin your stop motion filmmaking journey today with the digital image capture software trusted by major motion picture studios and independent filmmakers alike. She comes to EPFC on the tail end of a residency at the Headlands Center for the Arts.The Premier Image Capture Software for Stop Motion Animation, Motion Design & Visual Effectsĭragonframe is the premier frame-grabbing software for stop-motion animation and time-lapse photography. She is the EPFC Los Angeles Artist in Residence for the months of November and December.Įmily Abendroth is a poet and anti-prison activist currently living in Philadelphia. Kate Dollenmayer is a filmmaker who practices description as a regular part of her job as a film archivist. Participants are encouraged but not required to bring questions or topics that they’re interested in discussing with a group in relation to the creative process. Some topics for discussion could include race, class, housing, and the history of social movements in Los Angeles incarceration, decarceration, and the basic human rights struggles of individuals and communities language, art, abstraction, and activism. Some source materials for the day include an audio recording of police radio during the 1965 Watts uprising the conflicting oral testimonies of witnesses to the death of a young striking steel worker in a 1949 clash with police in Umbria, Italy and a short video documenting dance as a form of political speech. We will definitely eat a warm vegetarian lunch (or vegan, depending on participants’ preferences). We may also optionally talk about justice while blindfolded, conjure our deepest synesthetic capacities, and walk backwards. Throughout the day we’ll experiment with strategies for discussion as well as strategies for making things. Then we’ll use the animation software Dragonframe to create short stop-motion animations in response to our earlier investigations and their results (no prior experience with Dragonframe necessary). ![]() Through a series of exercises, we will practice various ways of using language and images to describe one another. We march backwards into the future.” – Marshall McLuhan ![]() We look at the present through a rear-view mirror. “When faced with a totally new situation, we tend always to attach ourselves to the objects, to the flavor of the most recent past. ![]()
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